[arg_discuss] White Paper: ARGs in Publishing
David Varela
davidvarela at gmail.com
Tue Aug 3 08:35:21 EDT 2010
Hi Michael,
I'm sure they're too modest to jump in here themselves, but you should
probably mention the work of Six to Start with Faber & Faber, Penguin and
Puffin Books.
Specifically, you could talk about 'We Tell Stories' in the ARGs as
Storytelling section - http://sixtostart.com/we-tell-stories/ - and 'Young
Bond: The Shadow War' in the ARGs as Promotions section -
http://sixtostart.com/the-shadow-war/.
Hope that helps,
David
www.davidvarela.com
On Tue, Aug 3, 2010 at 1:11 PM, Michael Andersen <mandersen at argn.com> wrote:
> Hey all,
>
> A while back, Brooke mentioned it might be a good idea for people writing
> sections of the upcoming white paper to post their ideas for feedback and
> suggestions. That seems like a fairly awesome idea to me, so below is a
> rough sketch of what I intend to be discussing with the section on ARGs in
> Publishing. I figure we're more likely to provide thorough and (probably
> even more importantly) concise coverage if we're not operating in silos
> with
> this.
>
> *An ARGish History:* this section will serve as a brief look back at a few
> projects that embraced the ARG aesthetic prior to *Cathy's Book*, where the
> ARG term started getting used for it. This isn't intended to be a
> comprehensive history, but I'll refer to Dennis Wheatley's Murder Dossiers
> from back in the '30s and armchair mysteries like Kit Williams'
> *Masquerade* (which
> I didn't read, but saw referenced in the NYTimes article on *We Lost Our
> Gold*).
> *
> *
> *ARGs as Storytelling: *this section will focus on the use of ARGs in the
> publishing world as an integral part of the storytelling experience. I'll
> be
> looking at implementing ARGs in publishing through the use of evidence
> packs
> (as previously mentioned, this idea goes at least back to the Murder
> Dossiers), along with the trend of utilizing paired media with a central
> social platform (Level 26).
>
> I'll also be discussing how the current trend skews for this type of
> storytelling working exceptionally well with children's literature / YA
> materials and as a franchise builder since the audience is a bit more media
> savvy and the transmedia elements help bridge the publication gap between
> books.
>
> *ARGs as Promotion:* I'll also discuss how ARGs have been used as
> promotions
> for the book's release, looking at how ARGs can drive behavior, reward
> existing fans, and introduce the story.
>
> *Concluding Thoughts on Ownership: *this section will briefly describe a
> growing trend I've noticed (and analyzed in a bit more depth elsewhere)
> towards corporate ownership of these ARG/transmedia book projects.
>
> Each section will be discussed in light of particular properties, and I
> plan
> on referencing *Cathy's Book*, *Personal Effects*, *Skeleton Creek*, *Level
> 26*, *Clock Without a Face*, *39 Clues*, *First Among Sequels*, *Therapy*,
> and *The Whisperers*. When possible and as space allows, I plan on
> including
> a brief description of media used and a short walkthrough of how readers
> interact with the book ARG type projects, incorporating statements from the
> people behind the projects (gleaned from past interviews, TED speeches, and
> articles).
>
>
> So...any thoughts? Concerns? Glaring omissions? Praise? Recriminations?
>
> -Michael
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